Showing posts with label Jonathan Marc Sherman. Show all posts
Showing posts with label Jonathan Marc Sherman. Show all posts
Saturday, January 26, 2013
Clive [zero stars]
(Please click on the title to see the full review.)
Having enjoyed The New Group's production of Jonathan Marc Sherman's play "Things We Want" directed by Ethan Hawke about five years ago, I was looking forward to seeing "Clive," Sherman's adaptation of Brecht's "Baal," directed by and starring Hawke. To say I was disappointed would be a gross understatement. Although it's only January, this is my nomination for worst play of the year -- any year. The dissolute poet in Brecht's early play has been transposed to a rock-and-roll musician with a large capacity for booze, drugs and sex. Unfortunately, as told be Sherman, his tale is an incoherent, indulgent, boring mess! About the only good thing I can say about it is that I enjoyed seeing Vincent D'Onofrio onstage. Other cast members include Brooks Ashmanskas, Stephanie Janssen, Mahira Kakkar, Zoe Kazan, Aaron Krohn, Dana Lyn and the playwright. Derek McLane's high-concept set included seven doors that double as musical instruments. Catherine Zuber's costumes are clever, which is more than I can say about the play. I would rather undergo root canal surgery than sit through this play again. Running time: one hour, 40 minutes without intermission.
Monday, May 16, 2011
Knickerbocker **
In this current LAB production at the Public, Jonathan Marc Sherman describes the angst of 40-year-old first time expectant father Jerry over a 5-month period from early pregnancy to the eve of childbirth. Jerry (Alexander Chaplin) holds court in his favorite booth at the Knickerbocker Bar & Grill. In a series of conversations with his wife Pauline (Mia Barron), his best friend Melvyn (Ben Shenkman), his ex-girlfriend Tara (Christina Kirk), his other best friend Chester (Zak Orth) and his father Leonard (Bob Dishy), Jerry tries to answer the question "Are you ready?" It's a promising concept, but the conversations vary widely in quality, occasionally run on too long, and don't really build to any climax. If you blink, you will miss Drew Madland as Steve, the waiter. Peter Ksander's set and Pippin Parker's direction are fine. At $15 a ticket, it's worth taking a chance on. Running time: 90 minutes.
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