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In his new play at the Mitzi E. Newhouse Theater, Mario Correa (Tail! Spin!) presents his take on the relationship between Nancy Pelosi (Holland Taylor, Ann) and Alexandria Ocasio-Cortez (Ana Villafañe, On Your Feet!) during the period between AOC’s surprise upset of the incumbent in the 2018 primary to the days after Pelosi’s decision to step down as House Democratic leader in 2022. How much of their conversations is based on fact and how much on invention is unclear; in the playwright’s words in a program note: “The play is heavily researched and lightly imagined.” Whether fact-based or not, the dialog is lively and often very funny. Between the one-line zingers, each one makes a strong case for her own view of political philosophy and strategy. Correa scrupulously does not put his finger on the scale. Both actors are fine. Villafañe’s resemblance to AOC is uncanny. Myung Hee Cho’s (Breaking the Story) costumes are apt; her minimalist set is supplemented by the sparing but intelligent use of projections by Possible. Diane Paulus (Pippin, Waitress) directs with a sure hand. All in all, it was a very enjoyable afternoon. Running time: 80 minutes.

NOTE: Although this play is at the Mitzi E. Newhouse Theater, it is not a production of Lincoln Center Theater.

Tail! Spin! **

The sexual peccadillos of four of our politicians form the basis of this comic romp at the Lynn Redgrave Theater. Idaho’s Sen. Larry Craig (Josh Eakright, u/s for Sean Dugan), master of the wide stance; Florida’s Rep. Mark Foley (Arnie Burton), enthusiastic pal of underage congressional pages; NY’s own Rep. Anthony Wiener (Nate Smith), sexter par excellence, and South Carolina’s Gov. Mark Sanford (Tom Galantich), who turned up far from the Appalachian Trail, are captured through their own words. Rachel Dratch portrays “wives, tails, beards and Barbara Walters.” Most of the material will be thoroughly familiar to anyone who hasn’t been hiding in a cave, but playwright Mario Correa has sliced and diced it in amusing ways. Caite Hevner Kemp’s attractive set has all the right patriotic trimmings and is well lighted by Ryan O’Gara. In addition to their main characters, each actor has other roles. Projected surtitles remind us who is portraying whom at any given moment. Director Dan Knechtges maintains a lively pace. The enthusiastic cast are very good, but the material seemed to me only marginally funnier — and racier — than a series of above average Saturday Night Live skits. At 70 minutes, it was both too short and too long — too short to justify the effort and expense of attending and too long to remain fresh.