Showing posts with label Joe DiPietro. Show all posts
Showing posts with label Joe DiPietro. Show all posts

Wednesday, April 26, 2017

Ernest Shackleton Loves Me

D

After runs in Seattle, New Brunswick (NJ) and Boston, this oddity has made its way to Second Stage’s Terry Kiser Theatre. Its bona fides include a score by Brendan Milburn (music) and Val Vigoda (lyrics), two of the creators of the delightful 2006 musical Striking 12; a book by Joe DiPietro, Tony winner for Memphis, and direction by Obie winner Lisa Peterson. Val Vigoda  (GrooveLily, Trans-SIberian Orchestra) is a hardworking performer, who plays an electric violin in addition to acting and singing. Wade McCollum (Wicked) is an appealing actor with a strong voice and lots of presence. The dubious concept for the show is that a sleep-deprived single mother in Brooklyn whose baby daddy has abandoned her and whose job as a composer for video games is not going well, records a dating video on “Cupid’s Leftovers” that is answered by the famous polar explorer of a century ago. For reasons unclear to me, Shackleton is inspired by her and she becomes the muse that sees him through his travails. She, in turns, learns courage from him. As someone who was deeply moved by the story of Shackleton and the brave crew of the Endurance, I was distressed to see this story misappropriated for so frivolous a purpose. To project film clips and stills from their expedition to prop up this silly show is almost a desecration. Perhaps a younger audience unfamiliar with his story and with a taste for electronic music will find the show more congenial. I found it a pointless waste of time. Incidentally, Second Stage Theatre seems to be distancing itself from this production; their name does not appear in the Playbill. Running time: 90 minutes, no intermission.

Tuesday, May 1, 2012

Nice Work If You Can Get It ****

(Please click on the title to see the full review.)
I am baffled by the middling to negative reviews this Gershwin musical has received, because I thought it 's wonderful. Joe DiPietro's tongue-in-cheek book cleverly blends about 20 Gershwin songs into a delightfully absurd plot loosely based on Oh Kay! The almost uniformly excellent cast (more about that later), stunning sets by Derek McLane, gorgeous costumes by Martin Pakledinaz, lush orchestrations by Bill Elliott and endlessly inventive choreography by Kathleen Marshall, who also directed, offer a lot to enjoy. Kelli O'Hara is marvelous as singer, dancer and comedienne. Michael McGrath stands out among a strong supporting cast that includes Judy Kaye and Estelle Parsons. The only weak link is Matthew Broderick; his singing and dancing are competent, but his signature nebbishy persona has lost its charm for me. I guess his name still sells tickets. With a stronger male lead, the show would be an unqualified success. As it is, it still provides a most pleasant evening. Running time: 2 hours, 40 minutes including intermission.