Wednesday, February 13, 2019

Alice by Heart

C-


I had misgivings about seeing this latest riff on the Lewis Carroll classic because, through some genetic quirk, I have always been immune to its charms. However, since the new musical has music by Duncan Sheik and a book by Steven Sater (with Jessie Nelson, who also directed), the team behind Spring Awakening, I decided to chance it. I was also eager to see the larger of the two theaters at MCC’s new space in the Far West 50’s. Loved the theater, endured the musical. In this version, set in a London Underground station in use as a bomb shelter during WWII, Alice (Molly Gordon; Sweeney Todd) is a young girl, orphaned in the Blitz, who tries to combat the awfulness of shelter life by rereading her beloved Alice in Wonderland. When her best friend Alfred (Colton Ryan; Girl from the North Country) is brought to the shelter severely ill, the two share their love of the Carroll book and fall through the rabbit hole into Wonderland where the residents of the shelter become characters from the book. I will leave matters there because further developments were too confusing to try to explain. Perhaps a closer knowledge of Carroll’s work might have helped, but I doubt it. I particularly objected to the book’s pandering to the audience by throwing in an occasional word like “kvell” or “haftorah.” A few of the songs made a strong impression, but they began to sound alike after a while. The talented young cast of 12, also including Mia Dilena, Zachary Downer, Noah Galvin, Zachary Infante, Andrew Kober, Grace McClean, Nkeki Obi-Melekwe, Catherine Ricfort, Heath Saunders and Wesley Taylor, was in fine voice and moved well. The choreography by Rick and Jeff Kuperman (The Light Princess) was inventive. The scenic design by Edward Pierce (Angels in America) was appropriately gloomy. Many of  Paloma Young’s (Permission, Yen) costumes were clever. Honesty compels me to report that many in the audience reacted to the show with great enthusiasm. The new theater shows great promise. It is wide but shallow, with no orchestra seats more than nine rows from the stage and just two rows in the mezzanine. Running time: one hour 40 minutes; no intermission.

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