Sunday, May 20, 2018

The Beast in the Jungle

C+

The last time composer John Kander, book writer David Thompson and director/choreographer Susan Stroman worked together at the Vineyard Theatre, the result was the critically acclaimed The Scottsboro Boys, which went on to Broadway where it had the dubious distinction of being nominated for 12 Tonys but winning none. That production had the added benefit of lyrics by the late Fred Ebb. This time out, what the creative trio has come up with is not a traditional musical, but a “dance play” with no lyrics and relatively little dialogue. Since Stroman’s last dance play was the Tony winner Contact, the return to that form sounded promising, especially with a cast led by Peter Friedman (The Slug Bearers of Kayrol Island, The Treasurer), Tony Yazbeck (On the Town) and Irina Dvorovenko (On Your Toes at Encores). Alas, the sum of all these talents does not approach the level of either previous collaboration. The inspiration for the book is Henry James’ well-regarded novella about a self-centered man so fearful that some terrible event will upend his life that he does not allow himself to be open to love. Since the tale by James is long on psychology but short on events, Thompson had his work cut out for him to turn it into a viable book. He did not hesitate to add new characters and events to liven things up. Stroman had varying success in selecting aspects of the story that could be told through dance. Some of the dance numbers are quite effective while others are embarrassingly kitchy. The chorus of six female dancers often seems superfluous. Kander’s music made surprisingly little impression on me. The scenic design by Michael Curry (The Lion King, Frozen), sensitively lit by Ben Stanton (Dot, The Low Road), has some striking elements. The three leads as well as Teagle F. Bougere (Is God Is) all perform well. Much as I admire all involved for their efforts, I regret to say that I found the results underwhelming. Running time: one hour 45 minutes, no intermission.

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