Wednesday, November 15, 2017

Once On This Island

B+

I recall being underwhelmed when I saw this Lynn Ahrens-Stephen Flaherty musical back in 1991. Although it was nominated for several Tonys, it did not win any. Nevertheless, it ran for 489 performances and apparently developed quite a following. Now it is back on Broadway at Circle in the Square where its previews have been selling out with an audience skewing decades younger than the usual Broadway demographic. I decided to give it a second try. I suggest you arrive fifteen minutes early to watch the actors cleaning up the set representing their Caribbean island after it has been hit by a storm. When the play actually begins, the islanders tell a frightened young girl the story of Ti Moune (a radiant Hailey Kilgore), who had been rescued as a child from a tree by her adoptive parents Tonton Julian (Phillip Boykin) and Mama Euralie (Kenita R. Miller). When Daniel Beauxhomme (Isaac Powell), a son of the light-skinned ruling class, is severely injured in an auto accident in their village, she is the only one who will help him. She nurses him and falls in love with him. The gods take a keen interest in island life. We meet Agwe (Quentin Earl Darrington), god of the sea; Papa Ge (in a gender-bender, played — excellently, I might add, by a woman — Merle Dandridge); Asaka (Alex Newell), goddess of the earth; and Erzulie (Lea Salonga), goddess of love. Papa Ge and Erzulie make a bet whether death or love will be stronger when love is put to the test by betrayal. The ensemble is strong. The dance numbers by Camille A. Brown were the highlights for me. It is hard to believe that there are only four musicians because the sound is not skimpy at all. Dane Laffrey’s set design provides a visual feast and Clint Ramos’s costumes, particularly those for the deities, are superb. Michael Arden’s direction is assured. While I will never count it among my favorite musicals, I do have a new respect for it as a well-crafted work that creates a vivid world and offers some creative storytelling along with some appealing music and spirited dancing. Running time: 90 minutes, no intermission.

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