Gotham Playgoer

If exuberance were all it took to make a Broadway musical a winner, this jukebox bio-musical about Gloria and Emilio Estefan and the Miami S...

After a successful run last year at American Repertory Theater in Cambridge where it was titled “Witness Uganda,” this energetic, ambitious,...

When your first play to reach New York wins a Pulitzer, can things only go downhill from there? After seeing Ayad Akhtar’s gripping new thri...

On the basis of this first installment of Suzan-Lori Parks’s nine-part epic about the African-American experience from the mid-19th century ...

I wish I had been able to keep thoughts of the original production of Terrence McNally’s 1991 play out of my head while I watched this reviv...

I hope that writing this family memoir was therapeutic for Billy Porter. That would at least provide some compensation for the ordeal of si...

When strong sexual attraction clashes with literary incompatibility, which will win out? How does a young person deal with the acute anxiety...

One could argue whether Lanie Robertson's 1986 work is a bioplay with music or a concert with monologues. Whichever it is, let's jus...